who I am
Michael’s journey began with a solid foundation in education and training. He holds a Master of Fine Arts in Dramatic Art, with a specialization in Acting, from the prestigious University of Florida. Prior to that, he earned a Bachelor of Arts in Theatre Arts from California State University, Fullerton, and a Professional Actor Certificate from the esteemed LACC Theatre Academy. Recently, he joined the creative team at The Wayward Artist Theatre as Co-Artisitc Director.
As an actor, Michael has tread the boards on regional and professional stages from coast to coast, leaving a lasting impact with his powerful performances and captivating audiences with his vulnerability and versatility.
Quake with Melissa Thompson at Actors’ Theatre
From his emotionally detailed portrayal of King Midas in Metamorphoses to his poignant performance as Joe Keller in All My Sons, Michael has a finely honed skill of embodying characters with depth and authenticity. His extensive repertoire includes playing roles in a broad spectrum of genres and styles, such as Arthur in Terrence McNally’s Love! Valour! Compassion!, Malvolio in Shakespeare’s Twelfth Night and Ben in The Dumb Waiter by Harold Pinter. His ability to immerse himself in diverse characters and deliver nuanced performances showcases the breadth and depth of his talent and range.
Beyond his achievements as an actor, Michael's passion for teaching is evident in his extensive experience as a teaching artist. With a heartfelt and dynamic teaching style, he has made a profound impact on the lives of students from diverse backgrounds. As an Artist-Mentor with Theatre of Hearts/Youth First, he meticulously designed and facilitated customized theatre and film workshops, collaborating with teachers to create high-quality, educational experiences for highly at-risk, marginalized students in underserved schools that align with VAPA and Common Core standards. His commitment to social-emotional learning and creating a nurturing classroom environment has positively impacted countless young minds.
With Ramon Suzara as Gus in a rehearsal for The Dumb Waiter, directed by Ryan Holihan
Terrence McNally’s Love! Valour! Compassion!
with Richard Piatt
As Malvolio in Twelfth Night, Shakespeare on the Green
Described as dynamic, bold, and passionate, Michael's impact as a teaching artist is immeasurable. He has served as a professor at esteemed institutions such as the University of Florida and Santa Fe College, where he inspired students to explore their creative ideas and develop a deep respect for the artistic process. As the Head of the Acting Department at the New York Film Academy @ Walt Disney World, Michael demonstrated exceptional leadership skills and fostered an environment where students from diverse backgrounds felt valued and respected. Through his guidance, students have embraced vulnerability, developed their unique artistic visions, and cultivated a social consciousness that will serve as a foundation for their future accomplishments.
Michael's expertise and passion for theatre are further evidenced by his current tenure as the Artistic Director of Theatron Productions in Los Angeles. In this role, he has demonstrated his fearless approach to creating, developing, and producing theatrical productions in collaboration with other artists. Through his visionary leadership, he raised funds to support these productions, ensuring their high quality and success. His contributions as a producer, dramaturg, and actor in Theatron’s recent production of The Dumb Waiter by Harold Pinter have solidified his reputation as a dynamic and talented theater practitioner.
Rehearsing as Ben in The Dumb Waiter by
Harold Pinter
WHAT I DO
ACTOR
Actors' Equity Association
Artistic director | Producer
Theatron Productions
TEACHING ARTIST-MENTOR
THEATRE OF HEARTS
PLAYWRIGHT | DIRECTOR
ASHLEY'S CONSENT
Works-in-progress
In the picturesque dilapidation of Paradise Ranch, a gay, Chicano ranch manager, Vaña, grapples with unfulfilled dreams and unrequited love during an outbreak, while the arrival of Professor Stone and his much younger husband, Angelo, ignites a complex web of desires, regrets, and uncertain futures, all set against the backdrop of untamed vineyards and a family clause that binds their destinies in Vaña in Paradise.
world Premiere Summer 2024
ArTISTic STATEMENT
I believe that as actors, we possess the extraordinary power of imagination, capable of transforming our individual experiences into universal truths. Through our craft, we breathe life into new characters, drawing inspiration from our own pasts while embodying souls distinct from our own. With elegance and grace, we teach humanity about our place in the cosmos and our responsibility to the communities we inhabit.
King Midas in Metamorphoses
Photographed by Suzana Mars
We wield the magnificence of imagination, immersing ourselves in imaginary circumstances as if they were real and actually happening to us for the very first time night-after-night, while simultaneously observing our creative process. With each performance, we mentally transcribe the notes of our choices, allowing us to refine and repeat them, seeking perfection.
Within our clarity of imagination, we can separate ourselves from our characters' suffering, expanding our empathy for them and applying it to the rest of humanity. This ability to empathize deeply with others enables us to connect with audiences and convey profound emotions. What we learn in the rehearsal spaces and the stages on which we perform is carried with us into our personal lives, shaping who we are and how we connect.
My artistic mission is to examine classic works of the world stage in addition to new and contemporary works, interpreting them through a unique dramaturgical lens shaped by my Chicano culture, working-class background, and experiences as a Queer Latinx individual in a world that is too often cruel, intolerant, and hostile to folx like me. I aim to create characters who navigate the struggles of love, vulnerability, and authenticity.
Hobson in Hobson’s Choice with Emily Green and Sean Cancellieri
The stage is my chosen medium, where I can bring these visions to life. Influenced by the likes of Michael Chekhov, Kim Stanley, Augusto Boal, Luis Valdez, the San Francisco Mime Troupe, Anne Bogart's work with Viewpoints, Lee Breuer, Tennessee Williams, El Teatro Campesino, and more, I draw upon various techniques such as Michael Chekhov's, Viewpoints, Linklater, Lessac, and Uta Hagen's.
My influences extend to the realms of John Waters, Charles Ludlum, Theatre of the Ridiculous, Brecht, and Antonin Artaud, all of whom inspire my artistic approach. I adapt my techniques to suit the needs of each play and the demands of the characters within them.
In my view, theatre should be accessible to everyone, regardless of their income status. I believe that elite theatre is stagnant, while vibrant and thriving theater emerges from the collaboration of diverse voices. By creating opportunities for minority artists to showcase their talents and producing free, high-quality theatre for the public, my work contributes to the well-being of the community. I prioritize dramaturgy from a minority perspective, welcoming and celebrating artists from diverse cultural backgrounds, LGBTQ+ identities, genders, religious affiliations, political ideologies, body types, and functional diversities in my productions.
résumé
Michael Martinez Hamilton
(He/Him)
Actors’ Equity Association
British Academy of Stage & Screen Combat Actors/Combatant Certification
National Michael Chekhov Association Teaching Certification-Candidate
Education
2015
MASTER OF FINE ARTs, DRAMATIC ART
University of Florida, Gainesville, FL
2011
bachelor of arts, theatre arts, playwriting emphasis
California State University, Fullerton, CA
2000
professional actor certification
Los Angeles City College Theatre Academy, Los Angeles, CA
Experience
current
The Wayward artist
Co-Artistic Director
Santa, Ana, CA
Connect with Me
Teaching philosophy
Encouraging a student interested in script supervision and continuity
As a teaching artist and a passionate advocate for diversity, I bring a dynamic perspective to the classroom. My journey as a Queer, Chicano, working-class individual has shaped my teaching philosophy, instilling in me a deep understanding of adversity and the transformative power of education. Overcoming obstacles such as dropping out of high school, I embarked on a non-traditional path that led me to earn a Bachelor of Arts Degree in Theatre Arts and eventually a Master of Fine Arts degree as a Fellow at the prestigious University of Florida.
Throughout my journey, I discovered my love for teaching while working as a mentor and teaching assistant at Los Angeles City College Theatre Academy. Guiding underserved, highly at-risk teenagers in urban Los Angeles, I realized that my true calling extended beyond the stage. The classroom became a space where I could mentor, inspire, and empower young individuals who shared similar challenges to my own. My goal became clear—to utilize my talent as a theatre artist to work with underserved, minority youth in Los Angeles, nurturing their potential and helping them realize their dreams.
Students at Barack Obama Global Prep Academy improvising in character for
Hamlet Jr.
Wrapping up our film workshop at
John Hope Continuation High School
In my classroom, I foster collaboration, creating an environment where students feel safe, respected, and encouraged to be vulnerable. I believe in the power of mentorship, as I experienced firsthand the profound impact it had on my own artistic and personal development. By actively listening to my students with compassion and an open mind, I gain invaluable insights into their unique learning needs and challenges. This allows me to tailor my lessons, whether theoretical or practical, to support their artistic and personal growth.
Recognizing that I am a perpetual learner, I approach the classroom with humility and an eagerness to learn from my students. I understand that each student possesses their own strengths and challenges, and I strive to meet their diverse needs. By affirming their strengths and helping them find solutions to their obstacles, I awaken them to their responsibilities as members of humanity. I encourage them to apply the principles they learn in class to their daily lives, broadening their perspectives and cultivating a deep appreciation for the arts and their contributions to society.
Students working on-camera during our
Improv for the Camera Workshop
Students incorporating what they learned about objectives and tactics during an improvised scene
My teaching philosophy is rooted in the belief that every student, regardless of their background, deserves the opportunity to thrive. Drawing from my own experiences as a former highly at-risk, minority student, I am committed to honoring and celebrating cultural diversity in the classroom. I create an inclusive space where students feel seen, valued, and inspired to pursue their passions in theatre and film. It is my joy to work collaboratively with students, nurturing their potential and witnessing their transformative journey.
Lives are transformed in my classroom. Students discover their voice, overcome challenges, and gain the confidence to pursue careers in the arts. I am resilient, a natural leader, and dedicated to creating an environment that empowers students to create their best work. Together, we inspire each other, fostering a love for learning and a deep sense of fulfillment. As a compassionate teaching artist, I quickly become a valued asset to any institution dedicated to nurturing the next generation of diverse, talented individuals in the world of theatre and film.
Mentoring students as they prepare to begin improvising scenes on camera